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Game Review: Sleaford Mods' Jason Williamson Takes On Character in Critical Examination at Ecstasy Generation Era

Helmed by Bristol sound co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Nevertheless, a grimly amusing duel unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single important plot development, but it leads to a comically executed rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game releases in British and Irish cinemas from November 17.

About the author

Ryan Mueller

A seasoned casino enthusiast with over a decade of experience in game analysis and strategy development, specializing in slots and poker.

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